Judy Deist Art Collections
Shop for artwork from Judy Deist based on themed collections. Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Artwork by Judy Deist
Each image may be purchased as a canvas print, framed print, metal print, and more! Every purchase comes with a 30-day money-back guarantee.
Cowboy Reading by Judy Deist
Lily Fantasy by Judy Deist
Running Free by Judy Deist
Canyon in Colorado by Judy Deist
Stagecoach Cowboy's Boots by Judy Deist
The Paint by Judy Deist
Venetian Masks by Judy Deist
Tiger and Beads by Judy Deist
Bridge Over the Canal by Judy Deist
Iris by Judy Deist
Cattle Drive by Judy Deist
Aspen Trio by Judy Deist
Moonscape by Judy Deist
Stagecoach Driver's Fancy Boots by Judy Deist
Mesmerizing Wave by Judy Deist
Music Masks by Judy Deist
Abstract in Life by Judy Deist
The Herd is Coming by Judy Deist
Venice Canal by Judy Deist
Kitten Brothers by Judy Deist
Orange Kitten with Red Ribbon by Judy Deist
The Pounce by Judy Deist
Red and Green roses by Judy Deist
Riders in the Snowy Sage by Judy Deist
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About Judy Deist
Remember black and white film from a large square box camera with a frosted glass viewer? That was my first camera in the early 1950's. As a going to college present, my father gave me an Agfa Solina 35mm camera with adjustments for F stop, time of exposure, and advise for the Kodachrome 25 slide film: F8 at 1/50th and vary from that depending on conditions. I had a notebook and wrote down the exposures so that I could improve my technical skills.
There are 20 feet of bookshelves with slides inside of plastic pages, 24 slides per page in my photo room. Some of these have been scanned into the computer and printed. Now, after carrying 50 rolls of 36 exposure Fuji Velvia slide film through airports in 2000, I have switched to digital images and a camera that would accommodate my old lenses. Now I have image stabilized lenses and auto focus since my eyes are getting old. Focusing manually still happens when I have time and need. I compose, sometimes too closely, in camera and try to make most images look like I remember the scene. No subject is disregarded although waiting for people to get out of the frame is my common goal, and occasionally to the detriment of the photo.
I have fun.